When it rains it pours -- right on the heels of the punishing blow dealt to RealDVD, the money-laden Kaleidescape crowd suffered its own setback at the hands of the law. You just know that the DVD CCA (Copy Control Association) appealed the 2007 ruling that allowed Kaleidescape owners to rip DVDs to their media servers, and yesterday a California Appeals Court overturned that ruling. Next stop -- the Santa Clara Superior Court, which could place an injunction on Kaleidescape if the appeal is upheld. It's not over yet, but we're prepping the soundboard with ominous music, boos and noisy hand-wringing. Whatever (and whenever) the outcome, we can only hope that Blu-ray's Managed Copy comes to the scene sooner rather than later and settles this issue for our beloved HD content

Something tells us Kaleidescape has a man (or woman, to be fair) on the inside, else United States District Court Judge Marilyn Patel is just downright trifilin'. In every visible way, RealNetworks' proposed RealDVD player was exactly what Kaleidescape was, but for people with annual salaries far less than $9,854,392,220. Regardless of our opinion, a preliminary injunction has just been passed down from The Almighty in the robe, which blocks the sale of the RealDVD software here in the US. The six major movie studies filed the suit last September, alleging that it "illegally violated their right to restrict the use of their movies in digital form." Evidently those that matter agree. A RealNetworks spokesperson took the time to vent their feelings on the whole ordeal, and since we know you're curious, we've pasted it below for your convenience.

We are disappointed that a preliminary injunction has been placed on the sale of RealDVD. We have just received the Judge's detailed ruling and are reviewing it. After we have done so fully, we'll determine our course of action and will have more to say at that time.

[Via Electronista]

It wasn't long ago that RealNetworks and its kludgy Player software were the bane of computer users everywhere. But, a few legal accusations later, Real is now the apple in the eye of every fair use advocate, fighting for the right for users to make legal copies of DVDs -- so long as you make them through its RealDVD software, of course. The company is now escalating its legal battle against Hollywood big wigs, suing the six major movie studios and the DVD Copy Control Association for anticompetitive activity, asking for monetary damages due to the sales it has lost since the industry asked for that initial injunction against RealDVD. We're not entirely sure who's going to come up on top of this one, but if Kaleidescape can survive the CCA, maybe Real can too.

Let's face it -- quite a lot is resting on the outcome of this case. For months now, RealNetworks has been unable to legally sell its RealDVD movie ripping software after a court issued a temporary restraining order that remains valid until it's decided if the application violates the DMCA (Digital Millennium Copyright Act). Now, the software is finally having its day in court, and the outcome could shape the future of the DVD player (for better or worse). You see, Real has already assembled a prototype Facet device that hums along on Linux; essentially, this DVD playing machine would sell for around $300 and could store up to 70 movies internally. On the surface, this sounds entirely like a poor man's Kaleidescape, but only time will tell if The Man agrees. Cross your fingers folks, we get the feeling fair use advocates are going to need the luck.

We believe that the only way to really understand what is going on is to listen to both sides and this one of the reason why we like Home Media Magazine. We feel like it gives us an inside perspective into the minds of the Home Media market, and thus Hollywood. This recent post on said site by Erik Gruenwedel really exposes how Hollywood still doesn't understand piracy. While we recognize that some people will steal just for the sake of it, we really believe that most prefer the legit route -- when given a choice. But the tech savvy looking to move forward with how they consume content really don't have many options right now. With the CableCARD HTPC fiasco and the prices plus restrictions that go along with services like iTunes and Xbox Live Marketplace, what else is a geek to do? For a brief moment there with offerings like Hulu, It almost seemed like Hollywood was coming along , but then recently their true colors were revealed once again. The real problem of course is that while consumers look at technology a way to improve the way they consume content, Hollywood sees it as a threat, and even worse, as just a way to increase revenues and control over the content. And as far as downloading movies goes, can you say release window?

While some studios are backing away from Asian countries due to rampant piracy, Sony's content with diving right in. According to a recent report from Variety, Sony Pictures Home Entertainment will begin distributing 30 current and classic Blu-ray Discs to China on Friday, though they won't be exceptionally cheap. In fact, with titles costing around 205 yuan ($30), we'd bet those Chinese "BD" pirates may actually see a spike in sales. Funny how so much Blu-ray manufacturing is going on in China, yet it's just now about to get its first taste of authentic BD software sales. It's a mad, mad, mad, mad world, we tell ya.

[Via TechRadar]

Dissatisfied with what primetime television is offering? Maybe short form HD in the browser window is the answer. That's the possibility posed by Strike.tv, a new site that's teamed up with BitGravity to stream high definition videos written and produced by familiar Hollywood talent. With newly inexpensive HD cameras, CEO Peter Hyoguchi envisions an opportunity for content creators to get their vision out without long expensive development processes. You can watch the first fruits of their labor right now, and recognize faces from The Office, Saturday Night Live, The Daily Show and other programs among the forty web series available.

We knew Hollywood wouldn't let RealNetworks sell its RealDVD DVD-ripping-and-archiving software without a fight, and right on schedule, the six major studios have filed a lawsuit seeking to prevent it from being sold. Of course, RealNetworks has been planning on hiding behind that Kaleidescape ruling all along, but straight CSS circumvention isn't really what's at the heart of the suit: according to the studio's request for a restraining order, consumers won't be able to contain themselves in the face of RealDVD's voodoo magic and will start ripping rental DVDs en masse -- seriously, the suit calls the incentive to do so "all but overwhelming." Here's a hint, guys: if you believe the temptation to do something is that strong, it probably means you can get people to pay to do it -- and you should probably be working out a business model that embraces consumers instead of funding new BMWs for your lawyers while actual piracy tears down the fragile house of cards your entire industry is built on. Or you know, whatever.

Who doesn't dream of the ability to watch whatever we want, whenever we want, in the highest quality we can get? We realize we have to wait for this home media utopia, but we would like to know, how long the wait is? A few of people in this world that have the ability to delay our dreams (Hollywood studio execs) were on a panel last week at the Content Delivery and Storage Assn. conference, and one of the few things all four panelist agreed on was that downloads and streaming was a long way off from supplanting DVDs. The panelist went on to explain that the reason was limited bandwidth available to most, but we'd beg to differ. Not that we expect them to admit the real reason, which is probably because they haven't figure out how to replace DVD revenues. The problem for Hollywood is that if you had the ability to watch any movie you wanted, whenever you wanted, for $3 or $4, then why would you ever buy another DVD for $20? So in other words, one of the main reasons why downloads and streaming hasn't been more successful is because of 30 day release windows and 24 hour viewing limits. This is where the business world and consumers don't see eye to eye, while we are looking for the next great thing in home media, they are looking for a way to increase profits -- not that we have a problem with that, just saying.

A website that should likely be dubbed "Hollywood in Blu-ray" rather than "Hollywood in Hi-Def" has recently emerged, and while it claims to be a more reputable site than those "other promotional portals," we aren't buying it. The site -- which is purportedly backed by Walt Disney Studios Home Entertainment, Sony Pictures Home Entertainment, and 20th Century Fox Home Entertainment -- includes the latest happenings in the BD universe as well as plenty of fluff to get you drooling over its silky smooth image quality. Notably, the site tends to address the desires of both early adopters and those just now taking interest in the format, and the running list of upcoming Blu-ray titles is indeed a nice extra. So go on, tag the read link to see what it's all about, but don't say we didn't warn you when you're overcome with Blu.

[Via VideoBusiness]

Sure, we'd expect a legend like Clint Eastwood to stick to his theoretical guns when it comes to manhandling the cameras on the sets of Flags of our Fathers and the forthcoming Iwo Jima, but when HD camcorders almost win out against the tried and true 35mm film approach, we can't help but take notice. Eastwood admits that he, alongside a bevy of experts, ran a series of tests between scenes shot in HD versus film, and while he couldn't quite "reach the black levels" nor "control the atmosphere" as well as he wanted with HD cams, even he admits they came awfully close. He claimed the biggest dig against current HD rigs was their size, citing a need for ultra-fine HD capturing machinery that's uber-small as well before he could shoot an entire film with it. Still, he was able to utilize a series of Sony HVR-Z1U HDV cameras inside "prop 50-caliber machine-gun ammunition cases" after ruling out Panasonic's HVX-200 due to a lack of FireStore availability, and eventually blended a good bit of that content into the feature film. Mr. Eastwood admitted that HD wasn't quite where he needed it to be just yet, but felt very hopeful about its future in the motion picture industry, and if we had to guess, we'd say it won't be too much longer before HD technology will be "making his day."

[Via DVGuru]

Everyone's favorite day-and-date releasing director, Steven Soderbergh recently spoke at the Tribeca Film Festival and had some sharp words for Hollywood's current distribution model as noted in Wired. What they didn't mention was that his next project, a short film for a DVD monthly, will be distributed via BitTorrent.

Is he going to be able to redesign Hollywood from scratch one torrent at a time? We don't know but we'll keep our uTorrent client at the ready just in case.

[Via digg]

Former Miramax heads Harvey and Bob Weinstein have decided to join Universal in exclusively supporting Toshiba's HD-DVD format. Our friend Warren Lieberfarb (he of the "Sony is using tactics from the Art of War" statement) is a consultant to their distribution company, Genius, so this is not entirely surprising.

No word on what titles to expect or exactly when, but apparently they will probably release in summer rather than spring with the launch of the first HD-DVD players. Also, Studio Canal has pledged to release 30 titles in europe, while Toshiba is expecting more than 200 HD-DVD discs available before the 2006 holiday season. Will that be enough to stave off the Blu-ray/PS3 behemoth bearing down on them?

The Passion of the Clerks, Sin City 2, Scary Movie 4, Michael Moore's "Sicko", all on HD-DVD only apparently.