Remember the Samsung P2370HD monitor? Well, this is it at 27 inches. How's that for concision? Oh, you want more -- well, Samsung must've expected you to, because it's also added a TV tuner and a HDMI input to its latest Full HD display, to go along with a 5ms response time and a 50,000:1 dynamic contrast ratio. There's also a pair of 3 watt stereo speakers that can simulate 5.1 channel sound -- good for emergencies or if you just can't stand speakers cluttering up your desktop. Filling out the goodie bag are Picture In Picture and Picture By Picture modes, which should make good use of the extra real estate on the screen by combining, for example, your desktop with a TV source. The price is set at 549,000 Won (or about $473) for Korea, though global availability looks imminent so don't rush to import it just yet.

Read - Samsung Korea press release
Read - Product page

At this point, Panasonic's 50-inch 3D plasma is just another one joining the fray, but considering how highly hyped the technology behind this was, we couldn't pass up an opportunity to throw our eyes on it for a bit at CEATEC. The 1080p panel was strikingly thin (or well mounted to give that impression), and the viewing angles were fantastic. The glasses that Panny provided, however, were relatively annoying (no surprise there). It should be noted that the actual spectacles sit pretty far off of your face, which simultaneously enables those with actual glasses to partake in the 3D experience while frustrating those without by giving them a cute blue rim that refuses to leave the periphery. As for image quality, the G-Force demo looked downright stunning, with depth being easily perceived and fast moving action whisking about seamlessly. Still, we're having a hard time believing a family of four would sit down and use these glasses for a two-hour presentation, but hey, we're not going to give up on the marketing squads just yet.

By and large, any 4K x 2K projector that we've seen -- be it at CES, CEDIA or any other trade show -- has been solely for looks. Oh sure, they're for sale, but they're only being sold to cinema owners and the select few that find themselves within the same tax bracket as Bill Gates and Lawrence Ellison. But the DLA-RS4000... the DLA-RS4000 is different. Introduced here in Atlanta, the ultra high-definition projector spots a native resolution of 4,096 x 2,400, enabling it to display up to four screens of Full HD content (you listening, college football / NFL fans?) at once. Naturally, it's fully ISF and THX certified, and it packs 3,500 ANSI lumens, a Xenon lamp, 10,000:1 contrast ratio, RSVP4 video processing unit, Ethernet port and an RS-232c control port. Interested in showing 1080p what's really up? Great! Crack open that wallet and yank out $176,000 -- $175,000 for the beamer, and a grand to rent the forklift you'll need to get a 110 pound box into your home.

Hey, remember that ultra skinny, LED-backlit HDTV that JVC showed off at CEDIA UK earlier this year? The seven millimeter-thin LT-32WX50? Yeah, that very panel is making a second debut here in Atlanta, but it has somehow managed to slim down to 6.4 millimeters (at its thinnest point) and get a November ship date in the US. Weighing just 12.5 pounds, the 32-inch set packs a 4,000:1 contrast ratio, edged-light LED backlight system, a super wide color gamut (100 percent of sRGB and 90 percent of Adobe RGB), a 1080p native resolution, two HDMI sockets, VGA input and an RS-232c control port. The pain? Just under $3,000, or in other words, a small fortune.

To say that Panasonic's existing lineup of V10 NeoPDP sets were widely adored would be grossly understating things, so it makes sense to see the outfit unleash two new sizes in the family over at IFA. In the midst of mindless bragging about a Full HD 3D system that absolutely no one will be interested in until 3D content delivery is sorted, Panasonic has managed to confess that two new V10 sizes will be produced. If you'll recall, the set was already available in 42- and 50-inch flavors, but if those just felt too small for your palatial den, the new 58- (TX-P58V10E) and 65-inch (TX-P65V10E) models just might fit the bill. Specs wise, everything here will remain the same; a 1080p panel, 600Hz sub-field drive technology, VIERA CAST functionality for pulling in web content, THX certification and a laughable dynamic contrast ratio of over 2,000,000:1. There's no exact mention of a price or release date, but you can bet we'll be hounding the booth attendants for those tidbits as soon as we track 'em down.

Samsung's been kicking around its 14.1- and 31-inch OLED TVs since CES 2008, but it seems as if things are turning for the better at SID this week. In a press release outed today, Sammy told the world that it's exhibiting "production-ready" AMOLED TV sets, though the sizes are the same as the ones we've seen before. The 31-incher really has our attention, with it being the planet's first OLED with a Full HD (1,920 x 1,080) display, a 1,000,000:1 contrast ratio, a color gamut of over 100 percent NTSC and an 8.9 millimeter slim enclosure. So, when does "production-ready" morph into "in production?" Bueller?

[Via OLED-Display]

DuPont's been dabbling in OLED advancement for years now, and while the world waits for the introduction of market-ready big-screen OLED HDTVs, engineers at the miracle-working company are toiling away to make sure those very sets last quite some time. For anyone following the OLED TV scene, you'll know that luminance longevity has been a nagging issue, but if new developments pan out, stamina will be the least of our worries. In fact, the firm has crafted a green light-emitting material that can purportedly push onward for over a hundred years... continuously. Furthermore, the same scientists have engineered a new blue light-emitting material with a luminance half-life of 38,000 hours along with a red light-emitting material with a life of 62,000 hours. Unfortunately for the laypeople out there, we can't imagine this stuff being even marginally affordable -- but hey, it's great news for the sybarites!

Cuttlefish are one of the most intelligent creatures in the sea, able to change their shape and color to escape predators -- but, they aren't smart enough to escape us, and they taste good, so they also go great with risotto. Scientists at MIT, however, decided not to eat their cuttlefish, instead using them to inspire the tech inside a new type of highly-efficient display. The screen is just one micron thick and contains a layer of poly-2 vinyl. Left alone it's clear but, when exposed to an electrical charge, its thickness and reflectivity can be controlled to create color. Just a few volts are required to form an image but, like e-ink, its design means backlighting is not an option. Viewing angles are also quite poor at this point, so this is one display tech that may take a long time to belly up at retail. Master of disguise video after the break.

FED's dead, baby -- at least for Sony. The company's spin-off Field Emission Technologies, whose sole purpose was to develop the displays, is now closing its doors. Blame goes to difficulty in raising funds for manufacturing. After years of teasing and an actual demo unit just a few months ago, it's a little sad to the technology's biggest proponent shutter. Goodbye, FET, we hardly knew ye.

With a name like Screen Excellence, you know it won't be cheap, but it'll probably be a real treat for the eyes. If you're shaking this recession off like it's your job, you'll be delighted to know that said company is now shipping its VistaCurve projection screens for those with the requisite coin. The new range is comprised of curved 1.78 and 2.37 aspect ratio models, both of which are available in sizes from 80- to 160-inches wide. They also feature the company's Enlightor 4K (EN4K) screen material formulation, which is said to be the "first and only acoustically transparent screen material that has been designed specifically for high-end Commercial D-Cinema and cutting edge residential high-end installations." The fixed frame models start at $5,800, but look, it's way better than importing Philips' Cinema 21:9 and being stuck at 56-inches.

The conversation already got going on our Plasma vs. LCD post yesterday, but now we're straight-up putting it out there. If you had to choose (and you do), would you opt for an LCD or PDP? Oh, and why? It's time to let your true fanboyism shine though, so don't stop with just dropping your vote below -- hit us up in comments with your supporting arguments.

Slowly but surely, AMIMON is establishing itself as a serious player in the wireless HD space. Right before our eyes, the outfit has announced that it's playing a major role in the world's first HD wireless display designed specifically for use in the operating room. Stryker Endoscopy's WiSe HDTV is embedded with AMIMON's WHDI technology, though few details beyond that are being disclosed. We've no idea if this is just the beginning of AMIMON's domination of the OR, but it's certainly a good start. Here's hoping we see some similar announcements in the consumer space at CES -- it's about time some of these wireless HD doodads stopped looking pretty and started shipping out.

Man, what a difference a year few months makes. At the front end of 2008, panel makers the world over were boasting about big investments to expand production lines and live large on Malta. Now, it's tough to go a week without hearing of at least one plant closing. Take Taiwan's AU Optronics, for instance -- in February of this year, it pledged $9.3 billion to build a pair of LCD factories. Now, it's placing those lofty plans on hold, noting that construction on "two new LCD plants" would be delayed by at least six months. According to chairman KY Lee: "One has to use the brakes and slow down a bit on a downhill path." A curious analogy, but we suppose it works.