Another day, another ignorant article about high definition. This time it's Peter Bradshaw, film critic for Guardian.co.uk, claiming Humphrey Bogart would have any cameraman approximating a "high definition" effect thrown off the set. Blatantly ignoring the fact that movies of that era were made on 35mm film with more resolution than even 1080p Blu-ray can display, Bradshaw claims that instead of a HDTV, viewers would be better off with a standard definition projector and DVDs. This is all in response to a recent Sky ad campaign (check out the video with Sir Anthony Hopkins dropping in Rutger Hauer's Blade Runner monologue after the break, plus the original) promoting the broadcaster's new HD transfers, allowing home viewing of many older films in quality that would be impossible unless you'd seen it the first week in theaters, and with sound that likely surpasses anything available at the time. What someone should explain to Mr. Bradshaw and so many others with this misconception is that HDTV allows us to see the movie closer to the way it was meant to be seen when it was originally mastered, with all the detail that was present. Provided a high quality transfer, there's plenty of reasons to catch old flicks in a new format, so spread the word.

Not that we haven't seen completely off-the-wall viral marketing ads before (including one from LG, in fact), but this one just takes the proverbial cake. In a perfectly staged LGenius presentation, we're informed about a few astounding up and coming TV advancements. The first one intelligently replaces all swear words with baby laughter or eerie silence, while the "Happy Time" feature automatically detects when a program is too sad for one's health and adds random images of cute puppies and kittens. Finally, the "Family Time" feature turns any sensual scene into one with cartoon characters, making even the steamiest bedroom romance seem perfectly acceptable for innocent eyes. Seriously, this one has to be seen to be believed -- mash that play button and have a gander.

[Thanks, Kellen]

Yeah, today's big game is but hours away, but if you're itching to put those newfangled 3D goggles to use beforehand, you're in luck. Reindeer has hosted up tonight's 3D SoBe ad on YouTube in high-def, and folks with those glasses -- which can supposedly still be picked up at hard-to-miss kiosks in grocery outlets and retail stores if any stock remains -- can tap the read link to have a look right now. Obviously we wouldn't do so if you're not much on spoilers, but we're betting your curiosity is going to get the best of you. Once you've watched, chime in below with your thoughts on the quality. Fair? Great? Just plain gimmicky?

Sony was smelling a world record when it constructed this beast, and sure enough, that's exactly what it set. The BRAVIA-drome was originally constructed to showcase its 240Hz Motionflow technology, and it has ended up being a continual source of interest even after the commercial shoot. This week, a Guinness World Records adjudicator affirmed that the structure was indeed the "World's Largest Zoetrope." We're not exactly sure that this proves / disproves the awesomeness / lameness of its 240Hz tech, but congrats anyway, Sony.

For years now, companies have sought to produce the most engaging advertisement on the eve of the Super Bowl here in America. In just a few months, however, they'll be vying for something else -- your clicks. Canadian sportscaster Le Réseau des Sports has confirmed that both SD and HD broadcasts of Super Bowl XLIII will feature commercials that are "enabled with interactive functionality permitting viewers to opt-in and hyperlink directly from the RDS network to long-form video content." Additionally, viewers will be able to bookmark that content for future viewing. Details of how the links and on-demand material will work are still fuzzy, but it's apt to function a lot like the TV-to-Internet ad platform that's already out courtesy of Backchannelmedia. The bar just got raised a few rungs higher, and we're pretty stoked to see what happens next.

As the race to infinityHz continues, Sony is busting out the advertising checkbook to showcase its utterly mesmerizing 240Hz Motionflow technology. The BRAVIA-drome installation, which is modeled after a 19th century zoetrope, measures 10-meters across, spins at over 40kph and is the centerpiece in a new commercial designed to display soccer action in the sleekest, smoothest, silkiest way imaginable (or so it says). Have a quick glimpse at the filming of the spot just after the break.

[Via Geek]

Talk about a marketing catastrophe. Apparently no one told Pioneer's promotional firm what Black Friday is (hint: it's a day for unprecedented price cuts to get consumers to camp out in the cold for a deeply discounted blender), as it has inexplicably decided to re-coin the holiday "KURO Friday." Why do such a thing? To quote Pioneer, it's to "celebrate the creative visionaries" who helped bring KURO to life. In other words, KURO Friday is not being established to announce sweet, sweet price drops on all KURO wares. Two thumbs way down, Pioneer.

We can't say we spotted this one in person (sorry, Chuck lost its luster after about six episodes), but we'll still join in the chorus of laughter. The image spotted above was an advertisement for Microsoft's little 'ole operating system, known around the underground as Windows Vista. What you're supposed to see there is "Windows: Life Without Walls," but instead, you're missing the final "s." In fact, Michael Smith points out that most 4:3 set owners actually saw even less than that (think "Windows: Life Without"). The capture was taken from a locally broadcast 4:3 NTSC feed of the show, and amazingly enough, it wasn't the only commercial aired that night with some of the critical information hanging off in no man's land. Have any of you spotted this recently, or was this just a one-time screw up?

The stakes are high for Blu-ray this holiday season. As we've stated before, it's the first such season where it's not competing directly with HD DVD, and coincidentally enough, also the first in which it is competing (at least to a small degree) with HD streaming. To that end, a number of studios and consumer electronics outfits have agreed to fund a $25 million marketing campaign dubbed Tru Blu, which involves airing persuasive commercials on channels that "attract heavily male audiences." With Blu-ray deck prices expected to reach the $150 area come Black Friday, we'd say BD still has a good chance of being successful this winter, but it's going to need every ounce of gusto it can muster.

While LIN TV and Time Warner Cable remain embroiled in all sorts of disagreements, two of the company's stations in the Hartford-New Haven, Connecticut area are gearing up to trial Backchannelmedia's TV-to-Internet click through technology. If you'll recall, we first heard of this worrisome interactive advertising platform back in May when MGM Grand at Foxwoods signed on. Now, WTNH (ABC) and WCTX (MyNetworkTV) have also agreed to participate in the company's market trial, which is set to start next month. In essence, it will give viewers the ability to click on "non-intrusive icons at the bottom of the their TV screen" in order to bookmark offers for online viewing; obviously, all of the response data is forwarded on for use in soliciting more cash from advertisers. Why does the idea of having to engage with ads sound so dreadful from here?

Hunker down and find that tin foil cap, pronto! Privacy advocates, we've a new target for you to bang on: Integrated Media Measurement. The 4,900-person media research company is looking to take advertising measurement to a whole new level (or new low, as it were) by embedding tracking modules within cellphones. In short, the module picks up audio from ads and records information about the exposure; in the future, if you were to purchase whatever product you heard about (like seeing a movie that was plugged), it would register a hit and deem you a sucker. As of now, the only testers with these freaky phones are individuals who signed up for this stuff, but you better believe major marketing firms (and TV / movie studios in particular) are perking their ears up and begging to know more.

[Image courtesy of Corbis, thanks ugotamesij]

When Vizio let loose a stable of new HDTVs at CES this year, it was apparent the outfit was beginning to head in another direction. For years it had pushed itself as a discount brand, grabbing market share the only way it knew how: by selling cheap. With a decent foothold in the US, Vizio has finally decided to switch gears and begin to market the more sophisticated aspects of its HDTVs. It won't stop throwing the word "value" around, but rather than honing in on how much cheaper its wares are compared to top-label competitors, it has now hired an ad agency to showcase the high-quality aspects. According to said agency, it wants "consumers to associate premiere audio quality, along with images, when they think about Vizio," and beyond all that, we're also hearing confirmation that the outfit will indeed be pushing out a low-cost soundbar in the near future. Go get 'em, Vizio.

We know our evaluation is a few months old now, but we're pretty darn sure Comcast hasn't made up the huge gap between its HD lineup and DirecTV's in a few short months. Nevertheless, said cable company has apparently lost its mind with a new 30-second spot themed after Deal or No Deal. In the ad, a contestant is asked to guess which provider has more HD options at 7:12PM in Chicago, and after he correctly guesses DirecTV, the badly misinformed host tells him that he's flat-out wrong. Then, a graphic shows up touting "500" HD options for Comcast and just 95 or so on DirecTV, and as if that weren't misleading enough, the spooky narrator reminds us that "Comcast always has more HD." It's not that we don't believe the guy, we just can't figure out on what planet this scenario is actually true. The mind-boggling spot is after the jump.

[Via CNET, thanks Isaac]

Here at Engadget HD, we've been watching TV for a long, long time, and we can't honestly say that we've ever viewed commercial time as content time. Nevertheless, MTV Networks is teaming up with Cadbury and DISH Network in order to launch its "first-ever advertiser-supported interactive television campaign." Available "exclusively" to DISH Network customers (a curse disguised as a blessing?), the campaign will debut during The N's reality series Queen Bees on July 11th at 9:00PM ET / PT. Put simply, it will present viewers with sets of questions to answer during the show (no, that's not distracting at all), and in the next commercial break, the poll results will be shown. According to the outfits involved, this is their attempt to "reinvent commercial time as content time" and "encourage viewer retention throughout the pod." We're curious -- does anyone at MTV / Cadbury / DISH actually believe this stuff, or does it just sound great on a conference call?

Light control is probably the biggest challenge to a good projection setup. The subterranean nature of London's subway is pretty much ideal in that regard, and now CBS Outdoor has brought its cross-track projection (XTP) system to the Tube. The Piccadilly Circus, Euston, Bank, Liverpool Street and Bond Street stations have been outfitted with a total of 23 14-foot screens that are getting HD video ads beamed onto them, sans audio (thankfully). There are plans to build out to 150 XTP screens and compliment them with 2,000 digital screens Tube-wide, which all fits in with CBS Outdoors' plans to bathe subway riders in advertisement. If ad-targeting tech is brought into the equation, we see some potential for really embarrassing hilarity. Meanwhile, London readers are encouraged to let us all know how the picture XTP quality is holding up!