Microsoft delivered the first half of two promised ATI Digital Cable Tuner-related updates as the 1.19.12.09050155 firmware update is now available from Windows Update (listed with the optional udates) that will relax the way it handles DRM on its recordings and add support for Switched Digital Video. With the new update applied, all Copy Freely-marked programing will be recorded without DRM allowing you to move it between PCs, convert it to another format or whatever you wish with ease, however as our hands on experience with the new firmware indicated you'll still need your cable provider to pass along the right bits to make it all operate properly. Still waiting in the wings is the Advisor Utility that will allow Digital Cable Tuners to work with any PC, no OEM purchase or hacking skills required.

[Thanks, Rob]

You know who's missing from the Digital Entertainment Content Ecosystem (or DECE) consortium? A group bent on redefining the way we buy, access, and play digital content with a membership roster that includes Best Buy, Cisco, Comcast, Fox, HP, Intel, Lions Gate, Microsoft, NBC Universal, Paramount Pictures, Philips, Sony, Toshiba, VeriSign, and Warner Bros? Right, Apple and Disney, the latter landing a lengthy piece in the Wall Street Journal describing Disney's own distributed content ownership scheme that goes by the code-name, "Keychest;" a DRM solution that instantly provides access to content on any participating service (digital download store, mobile-phone provider, or on-demand cable for example) when a purchase is made. Keychest does this though a system of unique keys that are issued when a movie is purchased. The keys are then stored in a central repository (aka, chest) that participants would query. In this scenario, the movies would reside with each delivery company on their respective systems -- movies would not be downloaded. On the bright side, if a content provider went out of business you would still have access to your films elsewhere. The proposed solution would work with Blu-ray disc purchases too, since BD players are internet-enabled by design -- DVD keys would have to be manually typed in by the user. So in effect, you'd now be paying once for ownership rights to the film, not to the physical media. If it sounds similar to DECE it is, but Disney claims that its approach is more streamlined and you know, better.

Disney has been quietly courting other movie studios with Keychest and intends to go public with its technology next month. Of course, with Steve Jobs listed as Disney's largest stockholder and the rumored Apple tablet being a media-redefining device that will single-handedly save newspapers while ridding the world of hunger and ignorance, well, you can see where the speculation is headed.

[Thanks, Demopublican]

When it rains it pours -- right on the heels of the punishing blow dealt to RealDVD, the money-laden Kaleidescape crowd suffered its own setback at the hands of the law. You just know that the DVD CCA (Copy Control Association) appealed the 2007 ruling that allowed Kaleidescape owners to rip DVDs to their media servers, and yesterday a California Appeals Court overturned that ruling. Next stop -- the Santa Clara Superior Court, which could place an injunction on Kaleidescape if the appeal is upheld. It's not over yet, but we're prepping the soundboard with ominous music, boos and noisy hand-wringing. Whatever (and whenever) the outcome, we can only hope that Blu-ray's Managed Copy comes to the scene sooner rather than later and settles this issue for our beloved HD content

Something tells us Kaleidescape has a man (or woman, to be fair) on the inside, else United States District Court Judge Marilyn Patel is just downright trifilin'. In every visible way, RealNetworks' proposed RealDVD player was exactly what Kaleidescape was, but for people with annual salaries far less than $9,854,392,220. Regardless of our opinion, a preliminary injunction has just been passed down from The Almighty in the robe, which blocks the sale of the RealDVD software here in the US. The six major movie studies filed the suit last September, alleging that it "illegally violated their right to restrict the use of their movies in digital form." Evidently those that matter agree. A RealNetworks spokesperson took the time to vent their feelings on the whole ordeal, and since we know you're curious, we've pasted it below for your convenience.

We are disappointed that a preliminary injunction has been placed on the sale of RealDVD. We have just received the Judge's detailed ruling and are reviewing it. After we have done so fully, we'll determine our course of action and will have more to say at that time.

[Via Electronista]

With the Custom Electronic Design & Installation show in Atlanta only a month away, we thought it'd be fun to try and predict the future by laying out our expectations for Windows Media Center. The way we see it, CEDIA is the perfect launching pad for Windows 7 Media Center. For starters it is just over a month before the official release of the OS, but more so because Microsoft has used the venue in the past to announce new Media Center features. We really believe that this is going to be the year that Redmond brings everything together, so if you're the type who doesn't think it'll ever happen, then click through to find out why we think you're wrong.

A new report from In-Stat indicates what we already suspected; because of the ridiculous DRM on digital downloads, most people are opting to obtain content illegally. Consumers will come up with just about any justification because the current offerings from Hollywood are just way too draconian to buy in to. For us that is good news and we can't wait for the video industry to follow the music's lead and give up on all of this overly complicated DRM, that really just doesn't work. Like us, In-Stat believes that watermarking will become the preferred way to control the distribution of digital content. It really is win-win because while consumers are free to use the content as they deem fit, it is very easy for Hollywood to catch up with them if they decide to share it with the whole world.

Just as we heard back in February, Time Warner and Comcast have joined hands in order to regain control on some of the content that is slipping right out from under 'em. In the olden days, the only portal for catching content was the 'tube; today, a vast array of television shows are available gratis on the web, and that's downright frightening for pay-TV operators. Today, both firms are detailing TV Everywhere in the most general way possible, only telling us that paying Comcast subscribers will soon have access to "premium long-form content" via a web portal. TNT and TBS are the only networks specifically named thus far, but considering that both of those already offer their best programming online to everyone, we're not terribly impressed.

The agreement also includes a trial with around 5,000 Comcast users, which will be used to heavily test a newfangled authentication technology that will be necessary to allow paying Comcast users to access the material from any internet-connected PC. NewTeeVee has also assembled a clean, easy-to-digest FAQ that explains what exactly all this is. To be frank, it seems like a solution in search of a problem from the consumer viewpoint. After all, with portals like Hulu and individual network websites already providing in-demand content online, why is there even a need for some "special portal" for Comcast users? We've heard that paying subs will have access to even more material, possibly movies or other premium shows. But we won't front: we certainly don't want TV Everywhere to convert some of the content that's already free into pay-only content in order to accomplish the aforesaid "even more" goal. At any rate, the public at large probably won't hear more about this until the trial sessions end at an undisclosed time, but you can bet we'll be keeping a cautious eye on any developments.

Read - TV Everywhere press release
Read - NewTeeVee FAQ

Compared to technologies such as Wireless USB, DisplayLink has actually done fairly well for itself. Nah, it's no worldwide phenomenon, but it definitely has enough traction to really shine once USB 3.0's bandwidth arrives. That said, the tech is making the most of its current situation with the introduction of the DL-1x5 Series processors, two of which actually support Full HD. The DL-125, DL-165 and DL-195 will all slide into USB-enabled LCD monitors here shortly, with the middle guy supporting resolutions as high as 1,920 x 1,080 and the DL-195 cranking things to 2,048 x 1,152 before crying "Uncle!" In theory, at least, this enables laptop users to connect high-res screens when their desktop replacement needs a helping hand, and it can be enjoyed now by consumers in Asia, the Middle East, Russia and Europe who can snag themselves a new SyncMaster LapFit LD190G or LD220G monitor.

[Via EverythingUSB, thanks Ian]

Looks like Fox won't be the only one using BD+ soon, now that Paramount has licensed it, along with a few other DRM tools like RipGuard and ACP from Macrovision. There's no indication when, or even if Paramount will use the technology on its titles and the press release from Macrovision focuses on its ability to protect video over Internet, cable and satellite. As it is, we're sure Slysoft appreciates all the effort, but it's the people who legally buy their movies that might need a firmware update just to play Transformers 2.

[Via Video Business]

Let's face it -- quite a lot is resting on the outcome of this case. For months now, RealNetworks has been unable to legally sell its RealDVD movie ripping software after a court issued a temporary restraining order that remains valid until it's decided if the application violates the DMCA (Digital Millennium Copyright Act). Now, the software is finally having its day in court, and the outcome could shape the future of the DVD player (for better or worse). You see, Real has already assembled a prototype Facet device that hums along on Linux; essentially, this DVD playing machine would sell for around $300 and could store up to 70 movies internally. On the surface, this sounds entirely like a poor man's Kaleidescape, but only time will tell if The Man agrees. Cross your fingers folks, we get the feeling fair use advocates are going to need the luck.

The reason Blu-ray recorders have migrated from Japan to the UK recently -- and why you'll likely never see them in the U.S. -- is all about the copyright holders. Danielle Nagler, head of BBC HD, hit the blogs to break down the wheres and hows of the DRM changes associated with bringing FreeSat disc HD DVRs like the Panasonic DMR-BS850 and Humax FOXSAT-HDR to market, basically meaning users are allowed one HD copy of a show, which can be played back on protected devices and connections only (transfer to portable players is planned to the future.) Follow the flow chart for the details, and figure out if it'd be worth it to make your own BD-R DVR backups so easily.

[Via Pocket-Lint]

We just can't get enough of surveys that state the obvious and then one ranks up there with the best of them. The crazy thing though is that the results weren't 100 percent -- we're going to chalk this up to the remainder not understanding the question. What should be music to the ears of the MPAA though is that 79 percent said they weren't interested in actually copying DVDs and that 40 percent said they'd be more likely to buy DVDs if they could copy 'em. All interesting stuff, but everything has a price and that price seems to be about $60, which is the amount most would be willing to pay for DVD ripping software. We'd like to say that statistics like these will help motivate the MPAA to give up on criminalizing fair uses of our media, but we realize this would just be wishful thinking.

Microsoft's PlayReady DRM hasn't exactly set the world on fire since first popping up over two years ago on a bevy of wireless carriers, so we were surprised by today's news that it's being integrated into the MediaRoom IPTV platform, specifically AT&T's U-verse service. A Microsoft exec quoted saying "Through the power of software such as PlayReady and Mediaroom, AT&T will bring its customers an exciting new range of services and content" doesn't help, since that power has lead to very little over the last two years with one exception. This is the same Windows Media Player 10 compatible DRM used by Silverlight plugins, like the ones for Netflix and Sky Player TV, so while we'll make the leap of dreaming about Instant Watch coming to AT&T set-top boxes, reality is probably not only something entirely different, but also considerably more like the Xbox 360 IPTV fantasy & other Mediaroom features that have yet to see any release.

"Oh, bollocks." No, we can't definitively prove that Gordon Brown said that after witnessing a "Wrong Region" code when inserting a DVD given to him by Barack Obama, but we're sure something of the sort was uttered. You see, the ridiculous DVD region coding system recently prevented the British Prime Minister from viewing a set of 25 "American classics" on DVD, all of which were bestowed upon him by President Obama during a recent visit to Washington, D.C. We hate to bludgeon a dead mule, but seriously, when will the DRM madness end? Er, on second thought, maybe this is precisely what's necessary to keep those region-free player outlets in business, and thus, the economy strong.

[Via techdirt, image courtesy of AmericaLives]

We believe that the only way to really understand what is going on is to listen to both sides and this one of the reason why we like Home Media Magazine. We feel like it gives us an inside perspective into the minds of the Home Media market, and thus Hollywood. This recent post on said site by Erik Gruenwedel really exposes how Hollywood still doesn't understand piracy. While we recognize that some people will steal just for the sake of it, we really believe that most prefer the legit route -- when given a choice. But the tech savvy looking to move forward with how they consume content really don't have many options right now. With the CableCARD HTPC fiasco and the prices plus restrictions that go along with services like iTunes and Xbox Live Marketplace, what else is a geek to do? For a brief moment there with offerings like Hulu, It almost seemed like Hollywood was coming along , but then recently their true colors were revealed once again. The real problem of course is that while consumers look at technology a way to improve the way they consume content, Hollywood sees it as a threat, and even worse, as just a way to increase revenues and control over the content. And as far as downloading movies goes, can you say release window?