We can't say for certain how good it feels to hoist this big-faced behemoth onto one's shoulder, but it's the first time we've seen Panasonic's 1080p twin-lens P2 3D camcorder out and about since its fabled introduction at NAB earlier this year. Strategically placed beside a 3D Avatar trailer demo, the camcorder looked exactly like the press shot we saw of the prototype before, though there's still no formal word on when it'll be used to film your friend's Bar Mitzvah (or anything else half as cool). A boy can dream, yeah?

At this point, Panasonic's 50-inch 3D plasma is just another one joining the fray, but considering how highly hyped the technology behind this was, we couldn't pass up an opportunity to throw our eyes on it for a bit at CEATEC. The 1080p panel was strikingly thin (or well mounted to give that impression), and the viewing angles were fantastic. The glasses that Panny provided, however, were relatively annoying (no surprise there). It should be noted that the actual spectacles sit pretty far off of your face, which simultaneously enables those with actual glasses to partake in the 3D experience while frustrating those without by giving them a cute blue rim that refuses to leave the periphery. As for image quality, the G-Force demo looked downright stunning, with depth being easily perceived and fast moving action whisking about seamlessly. Still, we're having a hard time believing a family of four would sit down and use these glasses for a two-hour presentation, but hey, we're not going to give up on the marketing squads just yet.

While we're trying to figure out if this is the time 3D technology will stick, after a demo at NAB 2009, ZD's Robin Harris is convinced that not only is it the future, but a possible way to save Blu-ray. Moving aside for a moment the question of whether Blu-ray needs saving, his point is that the crisp Panasonic demo eclipses previous tech shows why 3D represents enough of a jump over standard definition to convince customers to pay for new displays, players and discs, and HD 3D needs Blu-ray's capacity and bandwidth even more than just 1080p. Recent 3D exhibitions have impressed us too, and between unified standards in the works, compatible displays coming on the market and Hollywood studios chipping in with new 3D flicks and remastered old ones it may have a future in the home someday, but still-extravagant costs, inelegant glasses and infighting have us thinking Blu-ray will have to stand on its own even beyond 2010.

You know that 3D bandwagon you're still hesitant to jump on? We get the feeling that this year's NAB show may just push you over the top. Shortly after hearing of Fujifilm's newest P2 memory cards comes this, a conceptual camcorder in which to eventually slot 'em in. Currently, Panasonic's 3D Full HD Camera Recorder is merely a prototype, but it's made clear that the company intends to bring this to market as soon as possible. Essentially, the device will boast a twin-lens system for capturing 3D footage natively in 1080p, and all of the video streams will be stored on Panny's professional P2 cards. It's hard to say if this would even be useful for 2D shooting on the side, but with practically every major studio at least considering (if not committing to) 3D production, we'd say it's a solid investment on Panasonic's part either way.

We've been waiting for what seems like ages for the next iteration of the XEL-1 to dash in and swoop us off of our feet, but frankly, we're growing anxious. As the world waits for a commercial-ready OLED TV that's larger than a standard sheet of paper, industry insiders down at the IFA briefings in Malta this past week believe that Sony could be gearing up to make all sorts of hopes and dreams come true this September. Jens Heithecker, executive director of Messe Berlin, which organizes the IFA trade fair, noted that "IFA is a trade show which is focused more on market-ready technologies," hinting that anything we see in just a few short months will be prepared for release into the wild. We're also told that more "ultra-widescreen" 21:9 sets -- like Philips' masterpiece -- could be on display, not to mention scores of internet-ready HDTVs and a Samsung set with refresh rates of 400Hz. Needless to say, IFA's shaping up to be quite a show for the television sector, so you may want to think twice (or thrice, if necessary) about snagging a new panel on August 31st.

[Via OLED-Info]

Not that JVC's been avoiding the 3D bandwagon or anything, but it has yet to formally introduce a 3D HDTV to really take advantage of the in-home 3D revolution that 3D backers just swear is right around the bend. The GD-463D10 is a 46-inch LCD HDTV with a native 1,920 x 1080 resolution, 2,000:1 contrast ratio, twin ten-watt speakers and support for three-dee material. We're also told that the set will come bundled with a pair of polarized glasses when it ships in Japan early next month. The only problem? That ¥700,000 ($6,978) price tag, which seems particularly painful with no real 3D programming to speak of. Yet, of course.

[Via Impress]

Certain airports have already taken the whole "walk through the metal detector" thing to the next level, but things are about to get stepped up once more thanks to TSA certification on a new product from GE Security. The CTX 9800 DSi, which happily sits in the company's explosives detection systems (EDS) line, is now free to waltz into airports in order to "protect travelers with advanced high-definition 3D imaging baggage screening technology." We're talking 360 degree, finely-detailed views of baggage contents, which will undoubtedly cause immense embarrassment when a given TSA agent sees your prime selection of underwear, nose hair trimmer and pink nail polish. Here's hoping this won't slow security lines down even further, and if you're interested in seeing what all this thing can do, just mash play on the video above.

Forget all those 1080p sets with internet connectivity -- what you really want is an HDTV that does three-dee. Over at the Digital Signage Expo in Las Vegas, 3DFusion has announced the market launch of its 3DFMax stereoscopic, glasses free, broadcast ready (get all that?) 3D display. The set is built upon the Philips WOWvx 3D solution, but outside of that, we're really left to wonder what this thing's made of. No resolution, no contrast ratio, no price. Just the hope of a chicken in every pot and a 3D HDTV in every den.

For those of you that enjoyed the NBA All-Star circus in 3D this weekend, you'll soon be able to indulge in similar events in far more places. Cinedigm has announced today a partnership with Sony Pictures Releasing Corporation that will bring Live 3D HD capabilities to upwards of 10,000 digital cinema projection system across the US. Make no mistake -- companies can force consumers to pay attention if enough money and marketing is poured into something, and we get the feeling that these 3D events in cinemas aren't going away anytime soon. In fact, Cinedigm ultimately hopes to showcase spectacles such as the Super Bowl and the Olympic Games via its 3D HD technology, and with support like this, we don't see any reason why it won't be able to.

You know, it's strange really. Not even four years ago, most everyone you talked to viewed 3D as a gimmicky trip reserved for theme park attractions and the occasional educational showing at the local cineplex. After all, it's hard to convince fifth graders to pay attention to a lesson in prehistoric history without a Tyrannosaurus Rex getting all up in their grilles, right? Now that CES has come and gone, it's safe to say that Hollywood (among other entities) is giving the format another chance to excel, but we still have strong reservations on whether it's actually what the people want. Join us after the break as we take a brief peek back at where 3D was, where it currently sits and where deep-pocketed executives -- those looking for the "next big thing" -- hope it goes.

Mention 3D, and you'll get an enthusiastic shrug from most. Mention three little words in conjunction, and everything changes. In case you haven't guessed that magic trio, it's "no glasses required." We've seen the technology bandied about, but we're sensing that companies are about to get serious with it at CES 2009. Case in point: Alioscopy and TCL have tag-teamed in order to showcase the former's 3DHD autostereoscopic 3D LCD display (40-inch) and content creation technology in just under a month. There are no real details on the underlying juju, but you can bet we're stoked to see what it delivers in Vegas. Maybe those plans for a 3D Olympics in 2012 aren't all that loony after all?

Under normal circumstances, we tend to give 3D a hard time around here, but it's hard to deny the strides the technology has made of late in an attempt to move beyond being a gimmick and into a desirable product. It seems that hundreds of NBA fans that packed the Magnolia Theater just days ago were quite impressed with the first regular season matchup to be aired in 3D. Those in attendance were able to catch a commercial-free 3D broadcast of the Dallas Mavericks versus the LA Clippers courtesy of two Sony 4K projectors and a set of gaudy glasses. Unfortunately, we're not sure if the one-time event will blossom into something more, but feel free to tap the read link for more opinions and a couple more snapshots.

[Via AboutProjectors]

It's good to see those Brits aren't the only ones getting 3D HD sports action this season, as PACE is back and hooking its Fusion 3D tech to an NBA game yet again. For the first time during the regular season (after last year's All-Star Game and a Finals game) -- and unsurprisingly with a connection to Engadget HD friend Mark Cuban (where's our invite man?) -- the March 25 game between the Dallas Mavericks and L.A. Clippers can be viewed live at the American Airlines Center in Dallas, or across town in the Magnolia Theatre with Sony's SXRD 3D projection system beamed onto an 18x42 foot screen for VIPs and 100 lucky fans who can win entry on mavs.com. Now if they could just find a way to simulate buying tickets for way over face value from eBay or StubHub in the theatre, it would be just like going to a real game.