We're still not sure if that many people are interested in buying Blu-ray burners yet, but Pioneer just unveiled the first 12x capable drive (up from 8x, and with an 8x read speed that gives us a great idea for the next PlayStation 3 revision) the BDR-205. Initially rolling out to OEMs this month, this drive couldn't wait for 12x certified discs to exist, though its full speed has been tested on Panasonic and Sony 6x BD-R blanks, "12x writing on all media cannot be guaranteed." Minus that caveat, expect to see these popping up on Newegg and the like any second now, the only price mentioned is for the full retail package BD-2205 coming Q1 2010 for $249.

Video scaling has been a longtime knock held against Pioneer's AV receivers, but Pioneer is addressing those concerns with the inclusion of Anchor Bay VRS processing in its Elite VSX-23TXH ($899) and VSX-21TXH ($699) models, and also the VSX-1019AH-K ($499). Of course, Pioneer's home market in Japan isn't getting the short shrift -- the VSA-LX52 and VSA-1019AH are getting the same treatment. These models will be getting an ABT1015 to ratchet input signals all the way up to the magical 1080p figure; hopefully an indication that Pioneer will take a page from Denon's playbook and include ABT scaling in all of its AVRs from here on out. Full details after the break.

UPDATE: We have sent questions to Pioneer about whether this is a mid-production spec bump, or ABT VRS has been in these models all along. We'll report back with any answers we get.

UPDATE: We got official word back from Pioneer -- the VSX-1019, 21, 23, 25, and 27 models have all had Anchor Bay VRS scaling from the initial production, so there's no need to go throwing your AVR out. We can't imagine why both Pioneer and Anchor Bay haven't touted this feature from day one, but if your eyes told you the new Pioneer receivers had great scaling, give yourself a point.

What do you get when you take every single source of audio and video content, including Blu-ray with Managed Copy, online streaming content and everything else you can think of (except Hulu), and then combine it with control and remote viewing capabilities? You guessed it, the Entertainment Tap. We understand that Pioneer is shooting for the stars with this one, but it most definitely falls under the category of it sounds too good to be true. Of course Pioneer is just trying to throw everything against the wall to see what sticks, which is great, but the anticipated release of 2010 seems ambitions considering everything included in the demo. We could go on and on listing the media sources and control devices, but Pioneer wasn't exactly giving us any negative responses. Lets just say the new ET concept is a do it all media server as well as a client client that plays nice with everything. For example, the ET can connect to a HR22 DirecTV HD DVR via USB and using the data from the DVR, it'll build its own version of the interface. Of course the whole video part is hard to integrate, so the ET simply instructs the TV to switch inputs at the right time to give you a seamless experience. At this point none of these features are finalized so don't be bashful with your ideas in the comments, because who knows, Pioneer might actually include them.

If you were afraid that the post-Kuro Pioneer would retreat to car audio, fear not, because the company has plans to soldier on in the HT space with a marketing message that emphasizes both its A/V specialty roots and "balanced" home-A/V product lineup. As much as we love those Kuro plasmas, there's no denying that the prices didn't exactly jive well with the company's efforts to get consumers to recognize the value proposition in its other products. We'll admit that everyday consumers (read: not Engadget HD readers) looking to assemble a one-brand system could have been scared off of the Pioneer name by the Kuro prices, but we wish Pioneer would have kept its plasmas around as an "aspirational" product and allowed shoppers to cross-shop displays by building in deep, off-brand HDMI-CEC support into its other electronics. Wiping our fanboy tears aside, we have to give Pioneer credit -- its current lineup of electronics (AVRs especially) stack up competitively on the value-o-meter; which is good, because with companies like Denon, Onkyo and Yamaha around, it's in for a tough fight.

If you're into an all-Pioneer system, we'd suggest jumping into one of its Blu-ray HTIB offerings, but we'll just hope that these new DVD-centric offerings strike a lower price point that allows more people get started right away and attach a Blu-ray player to the HDMI inputs when their budget allows. Coming to the lineup -- at least in the UK -- are the 2.1-channel DCS-FS30 and 5.1-channel DCS-585 and DCS-590 systems. All kits are based (see that?) on a powered sub, but the configurations vary from there. The DCS-FS30 adds two height-adjustable desktop-sized speakers, and the DCS-590 is comprised of four tall speakers and a center channel, but things get interesting with the DCS-585 that comes with six small cube speakers -- two for center, the remaining four to be sprinkled around the room or stacked and put up front. Correct placement is so staid -- it's all about choices, see? More pics after the break.

Already on shelves in their U.S. forms, Pioneer's BDP-LX52 and BDP-320 Blu-ray players are just now going on sale in the UK but Electricpig has already gotten some time with them. It seems they found their audio technology including the jitter-eliminating Precision Quartz Lock System rather impressive, though whether that audio setup is enough to convince buyers to separate themselves from £550 or £400 (respectively) for one of these remains to be seen. Anyway, there's plenty of in the wild pics, we know how much you like gazing at knobs and "BD-ROM BDMV" blinking displays, so we'll just leave you to it.

If you love the good stuff -- and who doesn't -- then the four new receivers Pioneer has dropped into its Elite lineup might be your cup of tea. Slotted in at the high end of the range are the SC-27 (pictured) and SC-25; and the prices of $2,000 and $1,700 respectively even manage to shave a few dollars off the outgoing SC-07 and SC-05. The SC-25 and SC-27 both hold up the ICEPower tradition, and the SC-27 wears a THX Ultra2 Plus badge -- the first class D amplifier to earn the distinction. Add in the Burr-Brown DACsADCs and Wolfson DACs on these two and you've got the makings of top-end gear. Lower on the totem pole but continuing the trend of shaving a few bucks off the older models (VSX-01TXH and VSX-03TXH) are the VSX-21TXH ($700) and VSX-23TXH ($900). As you'd expect, all the Elites get loaded up with a heap of Pioneer's best wizardry, including MCACC room correction, network connectivity and (of course) compatibility with iPods and iPhones. There's plenty of other good info in the press release, so hit the link for the full details.

Pioneer and Sharp have officially finalized their deal to combine Blu-ray operations, completing the joint venture planned since Pioneer began navigating its way out of several businesses including its Kuro plasma HDTVs. The official PDF has all the details, but the salient points are that Pioneer will have 66% ownership and 3 of 5 seats on the board of the 450-employee joint venture, ready to start up on schedule October 1, for the development, design, manufacture and sale of optical disc products, primarily Blu-ray.

Well, that didn't take long, now did it? Right on the heels of the UK announcement, Pioneer's trifecta of Profile 2.0 Blu-ray decks -- the BDP-120, BDP-320 and pictured BDP-23FD (known as the BDP-LX52 in European trim) -- got their official US intro to the tune of $299, $399 and $599, respectively. The specs from the January peek at these models remain intact, but covering three price brackets requires some points of differentiation; in this case provided by various video processing magic, onboard persistent storage for the BDP-320 and BDP-23FD, and missing 7.1-channel analog outs on the BDP-120. Oh yeah, and you just know that the BDP-23FD gets that swank Elite badging.

Pioneer has introduced a familiar trio of Blu-ray players to the British market -- entry-level, midrange and a high-end LX model. The company is going to kick things off in the middle in June when the BDP-320 (pictured) shows up on shelves wearing a £400 MSRP, followed in July by the appearance of the £550 BDP-LX52 and £270 BDP-120 for those who need more luxury or cash, respectively. All models are Profile 2.0 and lossless codec support, but it doesn't look like the UK-spec models of the BDP-120 and 320 don't seem to carry the 7.1-channel analog output thats the US models do, so it's either pony up for the LX52 or go the Bitstream route, friends. Persistent storage is handled by an 2GB USB flash drive for BDP-120 buyers, the other two models have onboard storage.

Filling your need for 1080p sources in digital signage, museums, video walls, houses of worship, public displays, nightclubs, opium dens and broadcast, Pioneer has taken the wraps off of the BDP-V6000 professional Blu-ray disc player, complete with RS-232C support, "enhanced search" through a disc's menus and time code, Pro GUI, BD-Live and rack mount kit. No price, though interested buyers should expect a September launch, though you can get an in-person demo at Infocomm later this month. If you prefer your high res video from SD/SDHC cards, Pioneer's also announced the HD-V9000, ready for stand alone operation or control via RS-232C or over a network for high end applications, no price tag or final specs on that one, though it is due in early 2010.

Much to the unofficial surprise of owners who have been using Pioneer's new receiver models since early this month, they're now officially available. If you've been holding out for seamless integration between the receiver and your iPod/iPhone devices (you do have more than one, right?), you'll take some comfort in the "Works with iPhone" and "Made for iPod" labeling on Pioneer's VSX-819H, VSX-919AH and VSX-1019AH (pictured) models that come in at $299, $399 and $499, respectively. In a nod to lifestyle convenience, Pioneer's press release skips over the HT specs for these receivers and plays up the Advanced Sound Retriever and Auto Level Control features that promise to put some life back into your lossy encoded music. We're a little sad to see the HT side of things didn't get more ink -- these units offer good complements of features, especially at their respective price points; if you've been playing with one of these, let us know what you think below.

Despite the trickle down of advanced features on many manufacturers' lower-end receivers, there's still plenty of room for their upper-echelon offerings as well, and the UK's AVReview put four £1,200 - £1,500 ($1,750 - $2,200) receivers in a matchup. Entering the ring were the Onkyo TX-NR906, Pioneer SC-LX71 (SC-07 in the US), Sony STR-DA5400ES and Yamaha RX-V3900; we only wish models from Denon and Marantz would have made it to the contest as well. That said, matching up four receivers is not to be taken lightly, and it sounds like each of the contestants would serve you well in both features and absolute performance. We won't spoil the ending for you, but even though only one receiver snagged the overall crown, at this price point you should know that things are more nuanced than a single "winner;" your personal priorities are going to be the biggest variable in choosing the best model for you.

[Boxing glove image courtesy germes-online]

We're not sure about how well the SACD (Super Audio CD) format is doing in Japan, but if it's anything like it is here in the US, then the iPod input on Pioneer Japan's PDX-Z10 SACD player will be a welcome addition to those audiophiles who actually want a wide selection of content. To be fair, the PDX-Z10 packs a fair bit of audio utility into its sleek chassis, with a 2x50-Watt amp, USB input, and an ethernet port for DLNA access to media stored around your local network. The PDX-Z10 is set for a late May release, but the ¥150,000 ($1500) pricetag is going to relegate this piece of gear to the executive offices. Again, we're not intimately familiar with the Japanese market, but we're scratching our heads over how Pioneer could shutter the Kuro displays, but keep a light on for SACD.